Selected Artistic Works
  • GOETHE-INSTITUT TOKYO, Tokyo, Japan (2025)
    Concept and Moderator for The Ageing Body in Dance – What Goes Beyond Dance. Accompanying Event, Tanztheater Wuppertal Pina Bausch “Sweet Mambo.” Speakers: Tenko Ima, Koji Takabayashi, Reginald Lefebvre, Julie Anne Stanzak.
  • WASEDA UNIVERSITY, Tokyo,Japan (2025)
    Organizer for Dramaturgy Lecture & Workshop by Katherine Profeta, Professor in the Practice in the Dramaturgy and Dramatic Criticism program at the David Geffen School of Drama at Yale.
  • UNIVERSIDADE CATÓLICA PORTUGUESA, RnA STUDIO, Lisbon, Portugal (2025)
    Keynote speaker for the symposium “Echoes of Age.” Concept and Direction for “Noh to Trio A” media exhibition at RnA Studio.
  • THE BANFF CENTER FOR ARTS AND CREATIVITY, Canada (2022-2024)
    Faculty Dramaturg, Dance Artists in Residence Program.
  • STREAMING HERITAGE, Contemporary Arts Festival of Nagoya, Japan (2021)
    Concept and Direction for Lecture Performance “Noh to Trio A” at the Nagoya Noh Theater.
  • KYOTO UNIVERSITY OF ARTS AND DESIGN, Kyoto, Japan (2021-2023)
    Principal Researcher and Project Director, “Dance Dramaturgy of Aging” for the Joint. Usage/Research Center by MEXT, Kyoto University of the Arts, Fiscal Year 2022. -Public Showing “Beyond KATA: An Evening by Dancers, Noh Performer, and Researchers in Japan with Mengfan Wang from Beijing,” August 21, 2022. Senshu-do Hall, Kyoto University of the Arts. -Final Showing, “Beyond KATA: Resonance of Voices,” Performers with the City of Kyoto Symphony Orchestra Chorus, March 11, 2023. Kyoto Prefectural Office Former Assembly Room. Project Website: http://www.nanakonakajima.com/?page_id=2142
  • DANCE ARCHIVE BOX BERLIN, Berlin, Germany (2019-2020)
    Project Director and Dramaturg as Valeska Gert Visiting Professor at the Berlin Freie Universität, premier in February 2020 at the Akademie der Künste Berlin.
  • PICHET KLUNCHUN, Bangkok, Thailand (2019-2020)
    Dramaturg for his Ramayana project with Chen Wu-Kang, premier in August 2020 at the National Performing Arts Center, Taiwan.
  • WANG MENGFAN, Beijing, China (2019)
    Dramaturg for her tanztheater featuring aging, revolutionary ballet dancers, “WHEN MY CUE COMES, CALL ME, AND I WILL ANSWER” at Wuzhen Theatre Festival, China, Oct 25-27, 2019, Inside-Out Theater, Beijing, China, Nov. 1-3, 2019.
  • OSAKA UNIVERSITY, Osaka, Japan (2018-2019)
    Co-Organizer with Dr. Keiko Kawano for a workshop on poetics and dance featuring Kyong-mi Park, Setsuko Yamada, and Hikaru Okamoto. March 9, 2019.
  • THANAPOL VIRULHAKUL, Bangkok, Thailand (2018-2019)
    Co-Dramaturg for his choreographic research process “Retreat” at the Performing Arts Meeting in Yokohama 2019, Japan.
  • KYOTO UNIVERSITY OF ARTS AND DESIGN, Kyoto, Japan (2017-2018)
    Project Director, “Dance Dramaturgy on Aging” for the 2017 joint research project, the Interdisciplinary Research Center for Performing Art.
    “Yvonne Rainer Performative Exhibition” at the Kyoto Art Theater Shunju-za, October 11–15, 2017. Project Website.
  • DOMINO PROJECT, Zagreb-Tokyo, Croatia-Japan (2017-2018)
    Dramaturg for “Suddenly everywhere” the dance duet choreographed by Bruno Isaković Rehearsals in Zagreb, Showings in Tokyo, on February 15-16, 2018, Morishita Studio.
  • YEBISU INTERNATIONAL FESTIVAL FOR ART & ALTERNATIVE VISIONS, Japan (2017)
    Tokyo Photographic Museum, Tokyo, Japan. Guest Programmer for Dance Video Section, “Dancing Multiple Future”.
  • TPAM 2016 Performing Arts Meeting in Yokohama, Japan (2016)
    TPAM Direction, Program Director and Curator “Dance Archive Boxes@TPAM2016”.
  • SEBASTIAN MATTHIAS, Choreographer, Berlin, Germany (2014-2016)
    Dramaturg for “x/groove space” at tanzhaus NRW, Tanz im August, Festival Tokyo, Künstlerhaus Mousonturm, Frankfurt a.M., June 2016 –Jan. 2017.
  • ONG KENG SEN, Theater and Festival Director, Singapore (2014-2015)
    Dramaturg for “Archiving Dance, Dance Marathon: OPEN WITH A PUNK SPIRIT! Archive Box”, 2014 Saison Foundation; 2015, Singapore International Festival of Arts.
  • OSAMU JAREO, Choreographer, Osaka, Japan (2008-2012)
    Dramaturg for “Theater Thikwa plus Junkan Project” at F40 Theater, Berlin, ArtTheater dB, Kobe, Japan, and KYOTO EXPERIMENT 2012.
  • KOOSIL-JA HWANG, Choreographer and Dancer, New York, New York, USA (2006-2007)
    Dramaturg, provide artistic advice for “mech[a]OUTPUT” at the Japan Society 2007.
  • TRAJAL HARRELL, Choreographer, New York, New York, USA (2006 – 2007)
    Dramaturg, provide artistic advice for “Showpony” at St. Mark’s Church In-the-Bowery, Jan. 25-28, 2007.
  • LUCIANA ACHUGAR, Choreographer, New York, New York, USA (2006)
    Dramaturg, provide artistic advice for Bessie award winning “Exhausting Love at Danspace Project” at St. Mark’s Church In-the-Bowery, Nov. 9-12, 2006.
  • THE CROSSING JAMAICA AVENUE (Playwright Chiori Miyagawa, Director Sonoko Kawahara), New York, New York, USA (2006)
    Dramaturgical Assistant for Thousand Years Waiting, Feb.-Mar., 2006, at PS122, New York.
  • CHAMECKILERNER, Artistic Directors/Choreographers, New York, New York, US (2004 – 2005)
    Dramaturg, provide artistic advice to artists concerning dramaturgy for a performance, “Costumes by God” at Dance Theater Workshop in New York, April, 2005; in Brazil, July, 2005.

Selected Artistic Works

  • GOETHE-INSTITUT TOKYO, Tokyo, Japan (2025) Concept and moderator for The Aging Body in Dance: What Goes Beyond Dance, an accompanying event for Tanztheater Wuppertal Pina Bausch’s Sweet Mambo. Speakers: Tenko Ima, Koji Takabayashi, Reginald Lefebvre, and Julie Anne Stanzak.
  • UNIVERSIDADE CATÓLICA PORTUGUESA and RnA STUDIO, Lisbon, Portugal (2025) Keynote speaker at the symposium Echoes of Age. Concept and direction for the media exhibition Noh to Trio A at RnA Studio.
  • BANFF CENTRE FOR ARTS AND CREATIVITY, Banff, Canada (2022–2024) Faculty Dramaturg for the Dance Artists in Residence program.
  • KYOTO UNIVERSITY OF THE ARTS, Kyoto, Japan (2021–2023)
    Principal Researcher and Project Director of Dance Dramaturgy of Aging, a project of the Joint Usage/Research Center at Kyoto University of the Arts, supported by MEXT.
  • Public presentation: Beyond KATA: An Evening with Dancers, a Noh Performer, and Researchers in Japan, featuring Mengfan Wang from Beijing, Senshu-do Hall, Kyoto University of the Arts, August 21, 2022.
  • Final presentation: Beyond KATA: Resonance of Voices, created in collaboration with members of the City of Kyoto Symphony Orchestra Chorus and presented at the Former Assembly Hall of the Kyoto Prefectural Office on March 11, 2023. The performers were selected for the Best Dancers Award by The Dance Times.
  • STREAMING HERITAGE: Contemporary Art Festival of Nagoya, Nagoya, Japan (2021)
    Concept and direction for the lecture-performance Noh to Trio A at the Nagoya Noh Theater.
  • DANCE ARCHIVE BOX BERLIN, Berlin, Germany (2019–2020)
    Project Director and Dramaturg for Dance Archive Box Berlin, developed during her appointment as Valeska Gert Visiting Professor at Freie Universität Berlin. The project premiered at the Akademie der Künste, Berlin, in February 2020.
  • PICHET KLUNCHUN, Bangkok, Thailand (2019–2020)
    Dramaturg for a Ramayana-based project created by Pichet Klunchun and Chen Wu-Kang. The work premiered at the National Performing Arts Center in Taiwan in August 2020.
  • WANG MENGFAN, Beijing, China (2019)
    Dramaturg for When My Cue Comes, Call Me, and I Will Answer, a dance-theatre work featuring retired revolutionary ballet dancers. Presented at the Wuzhen Theatre Festival, China, October 25–27, 2019, and at Inside-Out Theater, Beijing, November 1–3, 2019.
  • OSAKA UNIVERSITY, Osaka, Japan (2018–2019)
    Co-organizer, with Dr. Keiko Kawano, of a workshop on poetics and dance featuring Kyong-mi Park, Setsuko Yamada, and Hikaru Okamoto, March 9, 2019.
  • THANAPOL VIRULHAKUL, Bangkok, Thailand (2018–2019)
    Co-dramaturg for the choreographic research project Retreat, presented at the Performing Arts Meeting in Yokohama (TPAM) in 2019.
  • KYOTO UNIVERSITY OF ART AND DESIGN, Kyoto, Japan (2017–2018)
    Project Director of Dance Dramaturgy on Aging, a 2017 joint research project of the university’s Interdisciplinary Research Center for Performing Arts.
  • Concept and direction for the Yvonne Rainer Performative Exhibition, presented at Kyoto Art Theater Shunju-za, October 11–15, 2017.
  • DOMINO PROJECT, Zagreb and Tokyo, Croatia and Japan (2017–2018)
    Dramaturg for Suddenly Everywhere, a dance duet choreographed by Bruno Isaković. Rehearsals took place in Zagreb, followed by presentations at Morishita Studio in Tokyo on February 15–16, 2018.
  • YEBISU INTERNATIONAL FESTIVAL FOR ART & ALTERNATIVE VISIONS, Tokyo, Japan (2017)
    Guest Programmer for the dance-video program Dancing Multiple Futures at the Tokyo Photographic Art Museum.
  • PERFORMING ARTS MEETING IN YOKOHAMA (TPAM), Yokohama, Japan (2016)
    Program Director and Curator of Dance Archive Boxes @ TPAM 2016, presented as part of TPAM Direction.
  • SEBASTIAN MATTHIAS, Berlin, Germany (2014–2016)
    Dramaturg for x / groove space, presented at tanzhaus nrw, Tanz im August, Festival/Tokyo, and Künstlerhaus Mousonturm in Frankfurt am Main, from June 2016 to January 2017.
  • ONG KENG SEN, Singapore (2014–2015)
    Dramaturg for Archiving Dance—Dance Marathon: OPEN WITH A PUNK SPIRIT! Archive Box, developed with support from the Saison Foundation in 2014 and presented at the Singapore International Festival of Arts in 2015.
  • OSAMU JAREO, Osaka, Japan (2008–2012)
    Dramaturg for Theater Thikwa + Junkan Project, presented at Theater F40 in Berlin, ArtTheater dB in Kobe, and KYOTO EXPERIMENT in 2012.
  • KOOSIL-JA HWANG, New York, USA (2006–2007)
    Dramaturg and artistic advisor for mech[a]OUTPUT, presented at Japan Society in New York in 2007.
  • TRAJAL HARRELL, New York, USA (2006–2007)
    Dramaturg and artistic advisor for Showpony, presented at St. Mark’s Church in-the-Bowery, January 25–28, 2007.
  • LUCIANA ACHUGAR, New York, USA (2006)
    Dramaturg and artistic advisor for the Bessie Award–winning Exhausting Love at Danspace Project, presented at St. Mark’s Church in-the-Bowery, November 9–12, 2006.
  • THE CROSSING JAMAICA AVENUE, New York, USA (2006)
    Dramaturgical Assistant for Thousand Years Waiting, written by Chiori Miyagawa and directed by Sonoko Kawahara, presented at Performance Space 122 in February–March 2006.
  • CHAMECKILERNER, New York, USA (2004–2005)
    Dramaturg and artistic advisor for Costumes by God, presented at Dance Theater Workshop in New York in April 2005 and in Brazil in July 2005.