{"id":1022,"date":"2020-04-07T21:33:31","date_gmt":"2020-04-07T12:33:31","guid":{"rendered":"http:\/\/www.nanakonakajima.com\/?page_id=1022"},"modified":"2025-04-28T14:30:32","modified_gmt":"2025-04-28T05:30:32","slug":"profile","status":"publish","type":"page","link":"https:\/\/www.nanakonakajima.com\/?page_id=1022","title":{"rendered":"profile"},"content":{"rendered":"\n<p><strong>Nanako Nakajima<\/strong>, Ph.D, was born and raised in Tokyo. She is a certified traditional Japanese dance\uff08odori\uff09master, a visiting scholar at Tisch School NYU 06. She submitted her Ph.D. dissertation entitled as the Aging Body in Dance at Freie Universit\u00e4t Berlin. Since 2011, she had been a Postdoctoral Research Fellow of the Japan Society for the Promotion of Science, Saitama University, and a Fellow of the International Research Center \u201cInterweaving Performance Cultures\u201d at Freie Universit\u00e4t Berlin. She is a Valeska-Gert Visiting Professor 2019\/20, Freie Universit\u00e4t Berlin. She is currently an associate professor in Dance Studies at Waseda University, Japan.<\/p>\n\n\n\n<p>She has worked as a dance dramaturg with NY downtown artists and Nanako\u2019s dramaturgical work with luciana achugar, \u2018Exhausting Love at Danspace Project\u2019, was awarded 06-07 New York Dance and Performance Awards (\u2018The Bessies\u2019). Nanako received 2017&nbsp;Special&nbsp;Commendation&nbsp;of Elliott Hayes Award for Outstanding Achievement in Dramaturgy from the Literary Manager and Dramaturgs of the Americas.&nbsp;<\/p>\n\n\n\n<p>Her recent research-dramaturgy projects include &#8220;Dance Archive Boxes @TPAM2016,&#8221; &#8220;Yvonne Rainer Performative Exhibition&#8221; at Kyoto Art Theater Shunju-za 2017\uff08<a href=\"http:\/\/www.nanakonakajima.com\/rainer\/\">http:\/\/www.nanakonakajima.com\/rainer\/<\/a>\uff09, Wang Mengfan\u2019s piece with retired revolutionary ballet dancers at Wuzhen Theatre Festival, China, 2019, &#8220;Dance Archive Box Berlin&#8221; at Akademie der K\u00fcnste Berlin, 2020, &#8220;Noh to Trio A&#8221; at Nagoya Noh Theater, 2021. Nanako received the Special Commendation of the Elliott Hayes Award in 2017 for Outstanding Achievement in Dramaturgy from the Literary Manager and Dramaturgs of the Americas. <\/p>\n\n\n\n<p>Her contributions and publications include <em>Dance Dramaturgy: Modes of Agency, Awareness and Engagement<\/em> (Palgrave, 2015), <em>The Aging Body in Dance: A Cross-cultural Perspective<\/em> (co-edit. by Gabriele Brandstetter, Routledge, 2017), and <em>Oi to Odori <\/em>(Aging plus Dancing, co-edit. by Kikuko Toyama, Keiso Shobo, 2019.\uff09In 2021, she launched a bilingual website on dance dramaturgy: <a href=\"http:\/\/www.dancedramaturgy.org\">www.dancedramaturgy.org<\/a><\/p>\n\n\n\n<p>In 2022, she invited Mengfan Wang in Beijing for her project in Kyoto and presented the public showing\u300cEncountering Histories\uff0f\u578b\u306e\u5411\u3053\u3046\u3078\u300dtogether with Noh performer at Senshu-Hall. In 2022, she was invited both to a leading international performing arts festival Kyoto Experiment for her screening-lecture series &#8220;Forever Postmodern Dance&#8217; and to Tokyo Festival as mentor for their Farm-Lab Exhibition program. In 2022 Autumn, Nanako was invited to a globally respected arts, cultural and educational institution, Banff Centre for Arts and Creativity, Canada, as faculty member, and supported the internationally selected dance companies during their dance residence program. <\/p>\n\n\n\n<p>contact: <img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"29\" class=\"wp-image-1094\" src=\"http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/mail-e1586421863840.png\" alt=\"\" style=\"width: 200px;\" srcset=\"https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/mail-e1586421863840.png 447w, https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/mail-e1586421863840-300x43.png 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n\n\n\n<p><strong>\u4e2d\u5cf6\u90a3\u5948\u5b50<\/strong>\u3000<br><\/p>\n\n\n\n<p>\u30c0\u30f3\u30b9\u7814\u7a76\u8005\u3001\u30c0\u30f3\u30b9\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u3002\u535a\u58eb\uff08\u821e\u8e0a\u5b66\uff09\u3002\u30d9\u30eb\u30ea\u30f3\u81ea\u7531\u5927\u5b66\u306b\u63d0\u51fa\u3057\u305f\u8ad6\u6587the Aging Body in Dance\u3067\u535a\u58eb\u53f7\u3092\u53d6\u5f97\u5f8c\u3001\u65e5\u672c\u5b66\u8853\u632f\u8208\u4f1a\u7279\u5225\u7814\u7a76\u54e1\uff08PD\uff09\u3068\u3057\u3066\u57fc\u7389\u5927\u5b66\u306b\u8d74\u4efb\u3001\u30d9\u30eb\u30ea\u30f3\u81ea\u7531\u5927\u5b66\u56fd\u969b\u30d1\u30d5\u30a9\u30fc\u30de\u30f3\u30b9\u7814\u7a76\u30bb\u30f3\u30bf\u30fcInterweaving Performane Cultures\u30ea\u30b5\u30fc\u30c1\u30fb\u30d5\u30a7\u30ed\u30fc\u3092\u7d4c\u3066\u3001\u5404\u5730\u306e\u5927\u5b66\u3067\u6559\u97ad\u3092\u3068\u308a\u306a\u304c\u3089\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u3068\u3057\u3066\u56fd\u5185\u5916\u3067\u6d3b\u8e8d\u3059\u308b\u3002\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u30c0\u30a6\u30f3\u30bf\u30a6\u30f3\u30c0\u30f3\u30b9\u306e\u632f\u4ed8\u5bb6\u30eb\u30c1\u30a2\u30ca\u30fb\u30a2\u30fc\u30ae\u30e5\u30e9\u30fc\u3068\u306e\u4f5c\u54c1 Exhausting Love at Danspace Project \u306f2006\uff0f07\u5e74\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u30fb\u30d9\u30c3\u30b7\u30fc\u8cde\u3092\u53d7\u8cde\u30012017\u5e74\u306b\u306f\u30a2\u30e1\u30ea\u30ab\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u5354\u4f1a\u304b\u3089\u30a8\u30ea\u30aa\u30c3\u30c8\u30d8\u30a4\u30ba\u8cde\u7279\u5225\u8cde\u3092\u53d7\u3051\u308b\u3002\u65e5\u672c\u821e\u8e0a\u5b97\u5bb6\u85e4\u9593\u6d41\u5e2b\u7bc4\u3002<\/p>\n\n\n\n<p>\u8001\u3044\u3068\u8e0a\u308a\u306e\u7814\u7a76\u3092\u5b9f\u8df5\u3068\u4e26\u884c\u3057\u3066\u9032\u3081\u3001\u8fd1\u5e74\u306e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306b\u300c\u30a4\u30f4\u30a9\u30f3\u30cc\u30fb\u30ec\u30a4\u30ca\u30fc\u3092\u5de1\u308b\u30d1\u30d5\u30a9\u30fc\u30de\u30c6\u30a3\u30f4\u30fb\u30a8\u30af\u30b7\u30d3\u30b8\u30e7\u30f3\u300d\uff08\u4eac\u90fd\u82b8\u8853\u5287\u5834\u6625\u79cb\u5ea7\u30012017\u3001\u5831\u544a\u30b5\u30a4\u30c8<a href=\"http:\/\/www.nanakonakajima.com\/rainer\/\">http:\/\/www.nanakonakajima.com\/rainer\/<\/a>\uff09\u3001\u8001\u3044\u305f\u9769\u547d\u30d0\u30ec\u30a8\u30c0\u30f3\u30b5\u30fc\u306e\u65b0\u4f5c\uff08\u6f14\u51fa\u30fb\u632f\u4ed8\u30e1\u30f3\u30d5\u30a1\u30f3\u30fb\u30ef\u30f3\u3001\u70cf\u93ae\u6f14\u5287\u796d2019\uff09\u3001\u80fd\u697d\u5e2b\u3068\u30c0\u30f3\u30b5\u30fc\u3068\u306e\u30ec\u30af\u30c1\u30e3\u30fc\u30d1\u30d5\u30a9\u30fc\u30de\u30f3\u30b9\u300c\u80fd\u304b\u3089Trio A\u3078\u300d\uff08\u540d\u53e4\u5c4b\u80fd\u697d\u5802\u30012021\uff09\u304c\u3042\u308b\u3002<\/p>\n\n\n\n<p>\u7de8\u8457\u306b\u3001The Aging Body in Dance (co-edit. by Gabriele Brandstetter, Routledge, 2017)\u3001\u300e\u8001\u3044\u3068\u8e0a\u308a\u300f\uff08\u5171\u7de8\u5916\u5c71\u7d00\u4e45\u5b50\u3001\u52c1\u8349\u66f8\u623f\u30012019\u5e74\uff09\u306a\u3069\u3002<\/p>\n\n\n\n<p>2019\u5e74\u306b\u306f\u30c9\u30a4\u30c4\u3001\u30d9\u30eb\u30ea\u30f3\u81ea\u7531\u5927\u5b66\u30f4\u30a1\u30ec\u30b9\u30ab\u30fb\u30b2\u30eb\u30c8\u8a18\u5ff5\u62db\u8058\u6559\u63882019\uff0f20\u306b\u7740\u4efb\u3057\u300c\u30c0\u30f3\u30b9\u30a2\u30fc\u30ab\u30a4\u30d6\u30dc\u30c3\u30af\u30b9\u30d9\u30eb\u30ea\u30f3\u300d\u3092\u30d9\u30eb\u30ea\u30f3\u82b8\u8853\u30a2\u30ab\u30c7\u30df\u30fc\u3067\u767a\u8868\u30022022\u5e748\u6708\u306b\u306f\u81ea\u3089\u306e\u4f01\u753b\u306b\u5317\u4eac\u304b\u3089\u6f14\u51fa\u5bb6\u30e1\u30f3\u30d5\u30a1\u30f3\u30fb\u30ef\u30f3\u3092\u62db\u304d\u3001\u80fd\u697d\u5e2b\u3089\u3068\u5171\u306b\u4eac\u90fd\u5343\u79cb\u5802\u306b\u304a\u3044\u3066\u516c\u958b\u30b7\u30e7\u30fc\u30a4\u30f3\u30b0\u300c\u578b\u306e\u5411\u3053\u3046\u3078\uff0fEncountering Histories\u300d\u3092\u958b\u50ac\u30022022\u5e74\u306f Kyoto Experiment \u4eac\u90fd\u56fd\u969b\u821e\u53f0\u82b8\u8853\u796d\u3067\u300c\u30d5\u30a9\u30fc\u30a8\u30d0\u30fc\u30dd\u30b9\u30c8\u30e2\u30c0\u30f3\u30c0\u30f3\u30b9\u300d\u30b9\u30af\u30ea\u30fc\u30cb\u30f3\u30b0\u30ec\u30af\u30c1\u30e3\u30fc\u3092\u958b\u50ac\u3057\u3001\u6771\u4eac\u82b8\u8853\u796d\u3067\u306f Farm-Lab Exhibiton \u306e\u30e1\u30f3\u30bf\u30fc\u3092\u52d9\u3081\u305f\u3002\u307e\u305f2022\u5e74\u79cb\u3088\u308a\u3001\u4e16\u754c\u7684\u306b\u8a55\u4fa1\u306e\u9ad8\u3044\u30ab\u30ca\u30c0\u306e\u82b8\u8853\u6587\u5316\u6559\u80b2\u65bd\u8a2d\u30d0\u30f3\u30d5\u30bb\u30f3\u30bf\u30fc\u30fb\u30d5\u30a9\u30fc\u30fb\u30a2\u30fc\u30c4\u30fb\u30a2\u30f3\u30c9\u30fb\u30af\u30ea\u30a8\u30a4\u30c6\u30a3\u30d3\u30c6\u30a3\u306b\u30d5\u30a1\u30ab\u30eb\u30c6\u30a3\u30fb\u30e1\u30f3\u30d0\u30fc\u3068\u3057\u3066\u62db\u304b\u308c\u3001\u4e16\u754c\u4e2d\u304b\u3089\u9078\u3070\u308c\u305f\u30c0\u30f3\u30b9\u30ab\u30f3\u30d1\u30cb\u30fc\u306e\u6ede\u5728\u5236\u4f5c\u3092\u652f\u3048\u308b\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u306b\u7740\u4efb\u30022024\u5e74\u3088\u308a\u65e9\u7a32\u7530\u5927\u5b66\u6587\u5b66\u5b66\u8853\u9662\u51c6\u6559\u6388\uff08\u821e\u8e0a\u5b66\u30fb\u30c0\u30f3\u30b9\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30ae\u30fc\uff09\u3002<\/p>\n\n\n\n<p>\u73fe\u5728\u3001\u30c0\u30f3\u30b9\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30ae\u30fc\u306e\u65e5\u82f1\u30a6\u30a7\u30d6\u30b5\u30a4\u30c8(<a href=\"http:\/\/www.dancedramaturgy.org\" data-type=\"link\" data-id=\"www.dancedramaturgy.org\">www.dancedramaturgy.org<\/a>)\u3092\u7acb\u3061\u4e0a\u3052\u3001\u65e5\u672c\u306e\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u306e\u6d3b\u52d5\u3092\u652f\u3048\u308b\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u30fb\u30df\u30fc\u30c6\u30a3\u30f3\u30b0\u30922023\u5e74\u306b\u4e3b\u50ac\u3059\u308b\u306a\u3069\u3001\u30c0\u30f3\u30b9\u5275\u4f5c\u3092\u652f\u3048\u308b\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u306e\u5148\u99c6\u8005\u3068\u3057\u3066\u56fd\u5185\u5916\u3067\u6d3b\u8e8d\u4e2d\u3002<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>\u9023\u7d61\u5148: <img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"29\" class=\"wp-image-1094\" src=\"http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/mail-e1586421863840.png\" alt=\"\" style=\"width: 200px;\" srcset=\"https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/mail-e1586421863840.png 447w, https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/mail-e1586421863840-300x43.png 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-medium\"><a href=\"http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1-200x300.jpg\" alt=\"\" class=\"wp-image-1856\" srcset=\"https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1-200x300.jpg 200w, https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1-683x1024.jpg 683w, https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1-768x1152.jpg 768w, https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1-1024x1536.jpg 1024w, https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1-1366x2048.jpg 1366w, https:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2021\/11\/603e3736206614a54b745242d0d57b9f-1.jpg 1536w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption class=\"wp-element-caption\">\u24d2 TAIFUN<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nanako Nakajima, Ph.D, was born and raised in Tokyo. She is a certified traditional Japanese dance\uff08odori\uff09maste [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1022","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages\/1022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1022"}],"version-history":[{"count":26,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages\/1022\/revisions"}],"predecessor-version":[{"id":2573,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages\/1022\/revisions\/2573"}],"wp:attachment":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}