{"id":1017,"date":"2020-04-07T21:33:31","date_gmt":"2020-04-07T12:33:31","guid":{"rendered":"http:\/\/www.nanakonakajima.com\/?page_id=1017"},"modified":"2025-12-03T20:12:51","modified_gmt":"2025-12-03T11:12:51","slug":"works","status":"publish","type":"page","link":"https:\/\/www.nanakonakajima.com\/?page_id=1017","title":{"rendered":"artistic works"},"content":{"rendered":"\n<h6 class=\"wp-block-heading is-style-vk-heading-solid_bottomborder_black has-text-color\" style=\"color:#6c27ad\">Selected Artistic Works<\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li>GOETHE-INSTITUT TOKYO, Tokyo, Japan (2025)<br>Concept and Moderator for The Ageing Body in Dance \u2013 What Goes Beyond Dance. Accompanying Event, Tanztheater Wuppertal Pina Bausch \u201cSweet Mambo.\u201d Speakers: Tenko Ima, Koji Takabayashi, Reginald Lefebvre, Julie Anne Stanzak. <\/li>\n\n\n\n<li>WASEDA UNIVERSITY, Tokyo,Japan (2025)<br>Organizer for Dramaturgy Lecture &amp; Workshop by Katherine Profeta, Professor in the Practice in the Dramaturgy and Dramatic Criticism program at the David Geffen School of Drama at Yale. <\/li>\n\n\n\n<li>UNIVERSIDADE CAT\u00d3LICA PORTUGUESA, RnA STUDIO, Lisbon, Portugal\u00a0(2025)<br>Keynote speaker for the symposium \u201cEchoes of Age.\u201d Concept and Direction for \u201cNoh to Trio A\u201d media exhibition at RnA Studio. <\/li>\n\n\n\n<li>THE BANFF CENTER FOR ARTS AND CREATIVITY, Canada (2022-2024)<br>Faculty Dramaturg, Dance Artists in Residence Program. <\/li>\n\n\n\n<li>STREAMING HERITAGE, Contemporary Arts Festival of Nagoya, Japan\u00a0(2021)<br>Concept and Direction for Lecture Performance \u201cNoh to Trio A\u201d at the Nagoya Noh Theater. <\/li>\n\n\n\n<li>KYOTO UNIVERSITY OF ARTS AND DESIGN, Kyoto, Japan (2021-2023)<br>Principal Researcher and Project Director, \u201cDance Dramaturgy of Aging\u201d for the Joint.  Usage\/Research Center by MEXT, Kyoto University of the Arts, Fiscal Year 2022.    -Public Showing \u201cBeyond KATA: An Evening by Dancers, Noh Performer, and Researchers in Japan with Mengfan Wang from Beijing,\u201d August 21, 2022. Senshu-do Hall, Kyoto University of the Arts.  -Final Showing, \u201cBeyond KATA: Resonance of Voices,\u201d Performers with the City of Kyoto Symphony Orchestra Chorus, March 11, 2023. Kyoto Prefectural Office Former Assembly Room. Project Website: <a href=\"http:\/\/www.nanakonakajima.com\/?page_id=2142\">http:\/\/www.nanakonakajima.com\/?page_id=2142<\/a><\/li>\n\n\n\n<li>DANCE ARCHIVE BOX BERLIN, Berlin, Germany (2019-2020)<br>Project Director and Dramaturg as Valeska Gert Visiting Professor at the Berlin Freie Universit\u00e4t, premier in February 2020 at the Akademie der K\u00fcnste Berlin. <\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>PICHET KLUNCHUN, Bangkok, Thailand (2019-2020)<br>Dramaturg for his Ramayana project with Chen Wu-Kang, premier in August 2020 at the National Performing Arts Center, Taiwan.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>WANG MENGFAN, Beijing, China (2019)<br>Dramaturg for her tanztheater featuring aging, revolutionary ballet dancers, \u201cWHEN MY CUE COMES, CALL ME, AND I WILL ANSWER\u201d at Wuzhen Theatre Festival, China, Oct 25-27, 2019, Inside-Out Theater, Beijing, China, Nov. 1-3, 2019.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>OSAKA UNIVERSITY, Osaka, Japan (2018-2019)<br>Co-Organizer with Dr. Keiko Kawano for a workshop on poetics and dance featuring Kyong-mi Park, Setsuko Yamada, and Hikaru Okamoto. March 9, 2019.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>THANAPOL VIRULHAKUL, Bangkok, Thailand (2018-2019)<br>Co-Dramaturg for his choreographic research process \u201cRetreat\u201d at the Performing Arts Meeting in Yokohama 2019, Japan.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>KYOTO UNIVERSITY OF ARTS AND DESIGN, Kyoto, Japan (2017-2018)<br>Project Director, \u201cDance Dramaturgy on Aging\u201d for the 2017 joint research project, the Interdisciplinary Research Center for Performing Art. <br>\u201cYvonne Rainer Performative Exhibition\u201d at the Kyoto Art Theater Shunju-za, October 11\u201315, 2017. <a href=\"http:\/\/www.nanakonakajima.com\/rainer\/\">Project Website.<\/a><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>DOMINO PROJECT, Zagreb-Tokyo, Croatia-Japan (2017-2018)<br>Dramaturg for \u201cSuddenly everywhere\u201d the dance duet choreographed by Bruno Isakovi\u0107 Rehearsals in Zagreb, Showings in Tokyo, on February 15-16, 2018, Morishita Studio.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>YEBISU INTERNATIONAL FESTIVAL FOR ART &amp; ALTERNATIVE VISIONS, Japan (2017)<br>Tokyo Photographic Museum, Tokyo, Japan. Guest Programmer for Dance Video Section, \u201cDancing Multiple Future\u201d.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>TPAM 2016 Performing Arts Meeting in Yokohama, Japan (2016)<br>TPAM Direction, Program Director and Curator \u201cDance Archive Boxes@TPAM2016\u201d.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>SEBASTIAN MATTHIAS, Choreographer, Berlin, Germany (2014-2016)<br>Dramaturg for \u201cx\/groove space\u201d at tanzhaus NRW, Tanz im August, Festival Tokyo, K\u00fcnstlerhaus Mousonturm, Frankfurt a.M., June 2016 \u2013Jan. 2017.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>ONG KENG SEN, Theater and Festival Director, Singapore (2014-2015)<br>Dramaturg for \u201cArchiving Dance, Dance Marathon: OPEN WITH A PUNK SPIRIT! Archive Box\u201d, 2014 Saison Foundation; 2015, Singapore International Festival of Arts.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>OSAMU JAREO, Choreographer, Osaka, Japan (2008-2012)<br>Dramaturg for \u201cTheater Thikwa plus Junkan Project\u201d at F40 Theater, Berlin, ArtTheater dB, Kobe, Japan, and KYOTO EXPERIMENT 2012.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>KOOSIL-JA HWANG, Choreographer and Dancer, New York, New York, USA (2006-2007)<br>Dramaturg, provide artistic advice for \u201cmech[a]OUTPUT\u201d at the Japan Society 2007.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>TRAJAL HARRELL, Choreographer, New York, New York, USA (2006 &#8211; 2007)<br>Dramaturg, provide artistic advice for \u201cShowpony\u201d at St. Mark&#8217;s Church In-the-Bowery, Jan. 25-28, 2007.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>LUCIANA ACHUGAR, Choreographer, New York, New York, USA (2006)<br>Dramaturg, provide artistic advice for Bessie award winning \u201cExhausting Love at Danspace Project\u201d at St. Mark&#8217;s Church In-the-Bowery, Nov. 9-12, 2006.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>THE CROSSING JAMAICA AVENUE (Playwright Chiori Miyagawa, Director Sonoko Kawahara), New York, New York, USA (2006)<br>Dramaturgical Assistant for Thousand Years Waiting, Feb.-Mar., 2006, at PS122, New York.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>CHAMECKILERNER, Artistic Directors\/Choreographers, New York, New York, US (2004 &#8211; 2005)<br>Dramaturg, provide artistic advice to artists concerning dramaturgy for a performance, \u201cCostumes by God\u201d at Dance Theater Workshop in New York, April, 2005; in Brazil, July, 2005.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Selected Artistic Works<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1017","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages\/1017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1017"}],"version-history":[{"count":13,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages\/1017\/revisions"}],"predecessor-version":[{"id":2641,"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/pages\/1017\/revisions\/2641"}],"wp:attachment":[{"href":"https:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}