{"id":885,"date":"2019-09-28T13:23:01","date_gmt":"2019-09-28T04:23:01","guid":{"rendered":"http:\/\/www.nanakonakajima.com\/?p=885"},"modified":"2020-07-10T09:57:10","modified_gmt":"2020-07-10T00:57:10","slug":"waking-up-the-aging-bodies-in-dance-tanztheater-when-my-cue-comes-call-me-and-i-will-answer","status":"publish","type":"post","link":"http:\/\/www.nanakonakajima.com\/?p=885","title":{"rendered":"WAKING UP THE AGING BODIES IN DANCE &#8211; TANZTHEATER \u201eWHEN MY CUE COMES, CALL ME, AND I WILL ANSWER\u201c"},"content":{"rendered":"\n<p>PRESENTATION OF TANZTHEATER WITH LECTURE AND DISCUSSION <\/p>\n\n\n\n<p><strong>Date:&nbsp;<\/strong>11. October 2019, 18:00 &#8211; 20:00<br><strong>Moderation:<\/strong>&nbsp;Wang Mengfan (Theater Director, Choreographer)<br><strong>Guests:<\/strong>&nbsp;Nanako Nakajima  (Dance Dramaturg, Dance Researcher, Valeska-Gert-Visiting Professor of the Free University Berlin), Kai Tuchmann (Theater Maker)<br><strong>Venue:<\/strong>&nbsp;Goethe-Institut China (798)<br><strong>Language:<\/strong>&nbsp;Chinese, English<br><strong>Free admission<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"When my cue comes, call me, and I will answer | \u8be5\u6211\u4e0a\u573a\u7684\u65f6\u5019\uff0c\u53eb\u6211\uff0c\u6211\u4f1a\u56de\u7b54\" src=\"https:\/\/player.vimeo.com\/video\/375362166?dnt=1&amp;app_id=122963\" width=\"1140\" height=\"641\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Alte Ballettt\u00e4nzer verf\u00fcgen nicht mehr \u00fcber die F\u00e4higkeit, Ballettbewegungen standardgem\u00e4\u00df auszuf\u00fchren. Was k\u00f6nnen sie tun, au\u00dfer sich an ihre Ballettpraxis zu erinnern? Wie kann sich die Erinnerung des K\u00f6rpers an die Vergangenheit in eine andere Form von Tanz verwandeln?<\/p>\n\n\n\n<p>Old ballet dancers no longer use their abilities to perform the standard level of ballet movement. What can they do, except that their ballet practice to remember? How could bodily memory of the past transform into the alternative form of dance?<\/p>\n\n\n\n<p>\u30d0\u30ec\u30a8\u30c0\u30f3\u30b5\u30fc\u306f\u8001\u3044\u308b\u3068\u3001\u3082\u306f\u3084\u30d0\u30ec\u30a8\u306e\u6a19\u6e96\u7684\u52d5\u304d\u3092\u884c\u3046\u3053\u3068\u304c\u51fa\u6765\u307e\u305b\u3093\u3002\u305d\u306e\u3088\u3046\u306a\u5834\u5408\u3001\u30d0\u30ec\u30a8\u306e\u8e0a\u308a\u3092\u601d\u3044\u51fa\u3059\u4ee5\u5916\u306b\u3001\u3069\u306e\u3088\u3046\u306a\u3053\u3068\u304c\u53ef\u80fd\u306a\u306e\u3067\u3057\u3087\u3046\u304b\u3002\u8eab\u4f53\u306b\u6b8b\u308b\u904e\u53bb\u306e\u8a18\u61b6\u306f\u3001\u30c0\u30f3\u30b9\u306e\u307e\u305f\u5225\u306e\u5f62\u5f0f\u306b\u3001\u3069\u306e\u3088\u3046\u306b\u5909\u308f\u308b\u3053\u3068\u304c\u51fa\u6765\u308b\u306e\u3067\u3057\u3087\u3046\u304b\u3002\u3053\u3053\u3067\u306f\u3001\u73fe\u5728\u5317\u4eac\u3067\u7a3d\u53e4\u3092\u9032\u3081\u3066\u3044\u308b\u3001\u8001\u3044\u305f\u9769\u547d\u30d0\u30ec\u30a8\u30c0\u30f3\u30b5\u30fc\u4e8c\u4eba\u3001\u66f9\u5fd7\u5149\u3055\u3093\u3068\u5289\u6842\u6797\u3055\u3093\u304c\u51fa\u6f14\u3059\u308b\u4f5c\u54c1\u300cWHEN MY CUE COMES, CALL ME, AND I WILL ANSWER\u300d\u306e\u30b7\u30e7\u30fc\u30a4\u30f3\u30b0\u306b\u52a0\u3048\u3001\u3053\u306e\u4f5c\u54c1\u306e\u6f14\u51fa\u30fb\u632f\u4ed8\u3092\u884c\u3046\u738b\u5922\u51e1\u3055\u3093\u306b\u3088\u308b\u53f8\u4f1a\u3067\u3001\u30c9\u30a4\u30c4\u306e\u6f14\u51fa\u5bb6Kai Tuchmann\u3055\u3093\u3068\u3053\u306e\u4f5c\u54c1\u306e\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u3092\u52d9\u3081\u308b\u79c1\u306b\u3088\u308b\u30c8\u30fc\u30af\u3092\u3001\u884c\u3044\u307e\u3059\u3002\u4e2d\u56fd\u306f\u30d0\u30ec\u30a8\u3092\u5c0e\u5165\u3059\u308b\u3053\u3068\u3067\u8e0a\u308b\u8eab\u4f53\u3092\u8fd1\u4ee3\u5316\u3057\u3088\u3046\u3068\u3057\u307e\u3057\u305f\u304c\u3001\u305d\u306e\u30c0\u30f3\u30b5\u30fc\u305f\u3061\u304c\u3044\u307e\u81ea\u3089\u306e\u3001\u305d\u3057\u3066\u300c\u8fd1\u4ee3\u300d\u306e\u8001\u3044\u306b\u76f4\u9762\u3057\u3066\u3044\u307e\u3059\u3002\u3053\u3061\u3089\u306e\u4f5c\u54c1\u306f\u30012019\u5e7410\u670825\u30fc27\u65e5\u306e\u4e2d\u56fd\u30fb\u70cf\u93ae\u6f14\u5287\u796d\u3067\u521d\u6f14\u3092\u8fce\u3048\u3001\u305d\u306e\u5f8c\u5317\u4eac\u306e\u5287\u5834Inside-Out Theater \u30672019\u5e7411\u67081\u22123\u65e5\u306b\u4e0a\u6f14\u3057\u307e\u3059\u3002<\/p>\n\n\n\n<p><a href=\"https:\/\/www.goethe.de\/ins\/cn\/de\/sta\/pek\/ver.cfm?fuseaction=events.detail&amp;event_id=21668058\ufeff\">WAKING UP THE AGING BODIES IN DANCE &#8211; TANZTHEATER \u201eWHEN MY CUE COMES, CALL ME, AND I WILL ANSWER\u201c<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/78815898_10157076285663458_8983962575431532544_o-1024x682.jpg\" alt=\"\" class=\"wp-image-1114\" width=\"512\" height=\"341\" srcset=\"http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/78815898_10157076285663458_8983962575431532544_o-1024x682.jpg 1024w, http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/78815898_10157076285663458_8983962575431532544_o-300x200.jpg 300w, http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/78815898_10157076285663458_8983962575431532544_o-768x512.jpg 768w, http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/78815898_10157076285663458_8983962575431532544_o-1536x1023.jpg 1536w, http:\/\/www.nanakonakajima.com\/wp-content\/uploads\/2020\/04\/78815898_10157076285663458_8983962575431532544_o.jpg 2048w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Date: 11. October 2019, 18:00 &#8211; 20:00<br \/>\nModeration: Wang Mengfan (Theater Director, Choreographer)<br \/>\nGuests: Nanako Nakajima  (Dance Dramaturg, Dance Researcher, Valeska-Gert-Visiting Professor of the Free University Berlin), Kai Tuchmann (Theater Maker)<br \/>\nVenue: Goethe-Institut China (798)<br \/>\nLanguage: Chinese, English<br \/>\nFree admission<br \/>\n(read more)<br \/>\n\u3000<\/p>\n","protected":false},"author":1,"featured_media":1114,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-885","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projects"],"_links":{"self":[{"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/posts\/885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=885"}],"version-history":[{"count":16,"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/posts\/885\/revisions"}],"predecessor-version":[{"id":1285,"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/posts\/885\/revisions\/1285"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=\/wp\/v2\/media\/1114"}],"wp:attachment":[{"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=885"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nanakonakajima.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}