{"id":304,"date":"2013-03-14T00:48:50","date_gmt":"2013-03-13T15:48:50","guid":{"rendered":"http:\/\/www.nanakonakajima.com\/?p=304"},"modified":"2013-08-13T23:45:04","modified_gmt":"2013-08-13T14:45:04","slug":"%e9%96%a2%e8%a5%bf%e6%bc%94%e5%8a%87%e8%a9%95%e8%ab%96%e8%aa%8cact%e3%81%ab%e7%ab%b9%e7%94%b0%e7%9c%9f%e7%90%86%e3%81%95%e3%82%93%e3%81%ab%e3%82%88%e3%82%8b%e6%89%b9%e8%a9%95%e3%81%8c%e6%8e%b2","status":"publish","type":"post","link":"http:\/\/www.nanakonakajima.com\/?p=304","title":{"rendered":"\u95a2\u897f\u6f14\u5287\u8a55\u8ad6\u8a8cACT\u306b\u516c\u6f14\u306e\u6279\u8a55\u304c\u63b2\u8f09\u3055\u308c\u307e\u3057\u305f\u3002"},"content":{"rendered":"

\u3053\u306e\u6279\u8a55\u3067\u306f\u7af9\u7530\u771f\u7406\u3055\u3093\u304c\u3001KEX 2012 \u7802\u9023\u5c3e\u7406\uff0f\u300e\u5287\u56e3\u30c6\u30a3\u30af\u30d0\uff0b\u5faa\u74b0\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u300f\u306e\u4f5c\u54c1\u306b\u3064\u3044\u3066\u3001\u5b57\u6570\u3092\u5272\u3044\u3066\u3001\u79c1\u304c\u62c5\u3063\u305f\u30c0\u30f3\u30b9\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30af\u306e\u610f\u7fa9\u3092\u542b\u3081\u3066\u3001\u4e01\u5be7\u306b\u8ad6\u3058\u3066\u4e0b\u3055\u3063\u3066\u3044\u307e\u3059\u3002\u3053\u3061\u3089\u304c\u3001\u6279\u8a55\u5168\u6587\u304c\u63b2\u8f09\u3055\u308c\u3066\u3044\u308bACT\u306e\u30a6\u30a7\u30d6\u30b5\u30a4\u30c8\u3078\u306e\u30ea\u30f3\u30af\u3067\u3059\u3002<\/p>\n

http:\/\/act-kansai.net\/?p=336<\/a><\/p>\n

 <\/p>\n

The review of “Thikwa plus Junkan Project” by Mari Takeda was published in a theater critic magazine, ACT<\/em>. In this article, she carefully examined its dramaturgy and impact of this piece in Japanese dance history, thereby recognizing the significant role of a dance dramaturg in this project.<\/p>\n","protected":false},"excerpt":{"rendered":"

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